I augment original Fine Art with New Media; blending Surrealist, Psychedelic, Pixelated, and Optical Art styles. Often digitally, I research, photograph, generate, and manipulate patterns; printing, adhering or otherwise mapping colors and textures onto fabrications, assemblages, paper-based, and projected imagery. My interactive installations and kinetic sculptures often include lights, motors, sensors, and controllers embedded in objects; producing both programmed and spontaneously emergent out-comes. I receive inspiration from visions, concepts, interests, materials, and processes; following threads through relatable data and precedents. Academic position writing has given me a reverence and workflow for clearly distilling information. This extends to my artistic process; comparing, and contrasting my research materials, both logically and intuitively, to help identify the strongest connections for communication. Like other observation processes, representing clairvoyant visions requires compromises in focus and representation of overall forms versus details. Through artistic license, I make decisions and interpretations about fleeting aesthetics, to capture signals received from the collective unconscious, and try to contextualize them with high vibrational and dimensional lessons. I seek these psychological, social, environmental, and spiritual clues to a shared unity that runs deeper and truer than any externalized model of consensual reality. I acknowledge that me outwardly expressing consciously experienceable artwork, that is motivated by a re-calibration to something singular and internally knowable, can seem puzzling. Meanwhile, I feel that contrast can be a beneficial force; like a kind of gentle tension that pulls people to seek out knowledge and experiences that they can integrate into their world view.
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